Keyboardist Richard Tandy, a pivotal member of Electric Light Orchestra, has passed away at 76, confirmed by the band’s founder, Jeff Lynne, who praised Tandy as a “remarkable musician.”
Tandy’s contribution to the band’s iconic sound, showcased in hits like “Mr. Blue Sky” and “Last Train to London,” is widely acknowledged.
Lynne took to social media to express his sorrow, writing:
“It is with great sadness that I share the news of the passing of my long-time collaborator and dear friend Richard Tandy.”
“He was a remarkable musician and friend and I’ll cherish the lifetime of memories we had together.
“Sending all my love to Sheila and the Tandy family.”
Born in Birmingham, Tandy officially joined Electric Light Orchestra (ELO) following the release of their debut album in 1972.
Initially a bass guitarist, he transitioned to become the band’s keyboardist after the departure of Roy Wood.
Tandy’s musical versatility extended to playing the Minimoog synthesizer, Wurlitzer electric piano, clavinet, Mellotron, and piano, as well as providing vocals, notably on the 1977 hit “Mr. Blue Sky.”
Throughout ELO’s prime years, Tandy remained a core member alongside Lynne and drummer Bev Bevan until the band disbanded in 1986.
However, when Lynne revitalized the group as Jeff Lynne’s ELO in 2014, Tandy rejoined the ensemble.
His significant contributions were recognized when he was inducted into the Rock and Roll Hall of Fame with the band in 2017, lauded by Lynne as a multi-instrumentalist, co-orchestrator, and invaluable musical partner.
Bev Bevan, ELO’s drummer from 1970 to 1986, reminisced about encountering Tandy during their time with The Move in the late ’60s.
Bevan praised Tandy as an exceptional pianist, noting his mastery of every keyboard he encountered.
“He was a really dedicated musician. He really studied his craft.”
Bevan described Tandy as a quiet man, who was not a showman but played a key role in creating ELO’s music.
He said:
“His real forte was in the studio. He was Jeff Lynne’s right-hand man and was with Jeff all the time in the studio. I couldn’t drag them out.”
Bevan added:
“I have nothing but fond memories of him. He was a lovely, lovely guy.”
